Blind, Blanked and Blocked
By Michael Bridgeman
One reason we cut holes in our buildings is to admit light and air. While any functioning window serves at least one of these purposes, some do neither if they’ve been blinded, blanked or blocked.
Blind windows (to use the most common term) have been used as architectural features for hundreds of years. They are treated like other windows, usually with a lintel and sill, but are then filled with masonry, wood, or other materials so that neither light nor air can penetrate.
Blind windows became more common in European design as architects looked to classical precedents with their emphasis on symmetrical façades. In Madison we see blind windows on some of the city’s oldest houses in the Mansion Hill Historic District.
The rationale for blind windows can be can be both practical and aesthetic, as explained by an informative website, Sash Repairs, a window company in Great Britain. Blocking a window after construction—often decades later—can be a consequence of changing tastes, new interior uses, light control, weather proofing, or material degradation. The results can range from artful to perfunctory. For example, blinding the windows on the first floor of the Wisconsin Historical Society building was executed so skillfully that the change is virtually unnoticeable.
It’s no surprise that industrial buildings might take a more business-like approach, blocking windows as production needs change. The old manufacturing buildings on Madison’s east side display a range of window blinding techniques, some more finished than others.
Those of us who like vintage buildings learn that what has been done can (sometimes) be undone. So it is with blinded windows. When I took the Madison Trust’s State Street tour in 2002 (then the only tour offered) I was disappointed by a building with a row of second-story windows that had been bricked in. By the time I started leading tours the following year, glass had replaced the brick and the arched windows sparkled again.
Blind windows continue to be part of the architect’s tool kit. Styles may change, but the reasons for including “false windows” haven’t changed much: creating visual balance, establishing rhythm and pattern, and devising picturesque effect. Here’s a sampling of contemporary blinded windows in the Madison area.
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